Spooky Tooth - Ceremony (1969/1998 Remastered Edition)
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Album: Spooky Tooth - Ceremony (Remastered Edition)
Released: 1969 (1998)
Styles: Prog, Avant-Garde=>Hard-To-Define Style
Group Biography: AMG
Edsel EDCD 565
This is unlike any other release by an English band normally rooted in the blues. Think of it as Spooky Tooth's version of Concerto for Group and Orchestra by Deep Purple. After two or three promising blues-based rock releases, one member of the band somehow convinces the others to go for a wildly ambitious, experimental concept album. Jon Lord persuaded Deep Purple to dive into the deep end, and Gary Wright got Spooky Tooth to welcome Frenchman Pierre Henry for this electronic mass. Wright left the band after Ceremony and Lord never had the same influence on Purple again as Ritchie Blackmore led them to heavy metal glory. - Review by Mark Allan, AMG
There are some albums out there that completely defy genre categorization. But every once in a blue moon, an album comes along that manages to completely defy all rational explanation. This would be one of those albums.
Spooky Tooth was one of the heavier hard rock acts of its day, driven by Gary Wright (later of "Dream Weaver" fame) and Mike Harrison's dual, bluesy wails set against Luther Grosvenor's searing guitar leads. They were on the ascent, having just released Spooky Two, an overlooked classic of late 60s British rock. One day, they were approached in the studio by avant-garde composer Pierre Henry for what they thought would be session work, involving a concept album setting the text of the Catholic liturgy to music. Their record label, however, decided to market this as Spooky Three. And thus endeth the ballgame.
What music lies behind an album cover that would have made Barry Godber proud? Well, imagine Jesus Christ Superstar, with its performers straining to hold together ill-fitting text with music. Now, mix over this foundation, with complete disregard, something like Frank Zappa's "The Chrome Plated Megaphone of Destiny" and you have yourself a fair approximation. "Confession" literally sounds like construction workers were not only alongside the band in the studio booth, obliviously hammering and welding away, but even placed nearer to the microphones! "Credo," perhaps the ultimate example of artistic incompatibility, literally had me on the floor in spasms of laughter the first time I heard it. And right after that, we get hit with "Offering," or... music + panting. The only track that even comes anywhere near successfully merging these two disparate visions is the final "Prayer," with acoustic guitar and Wright's delicate vocals set to less intrusive, ghostly wind effects of Henry.
But in the end, I am left with total disbelief that a group of record company people sat down, listened to this, and said "Great! Let's get this baby out to the public ASAP!" Like Ed Wood or The Shaggs, Ceremony is a failure, but one of those spectacular failures that continues to compel by virtue of its sincerity and sheer incongruity. - Ground and Sky review - Pierre Henry - Ceremony: An Electronic Mass
1. Have Mercy — 7:51
2. Jubilation — 8:25
3. Confession — 6:45
4. Prayer — 10:50
5. Offering — 3:26
6. Hosanna — 7:33
Pierre Henry - Electronics
Gary Wright - Vocal, Organ
Mike Harrison - Vocal
Luther Grosvenor - Guitar
Mike Kellie - Drums
Andy Leigh - Bass
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