Bob Dylan - Blonde on blonde (1966)
Track list:
1 Rainy Day Women #12 & 35 4:36
2 Pledging My Time 3:50
3 Visions of Johanna 7:33
4 One of Us Must Know (Sooner or Later) 4:54
5 I Want You 3:07
6 Stuck Inside of Mobile With the Memphis Blues Again 7:05
7 Leopard-Skin Pill-Box Hat 3:58
8 Just Like a Woman 4:53
9 Most Likely You Go Your Way (And I'll Go Mine) 3:30
10 Temporary Like Achilles 5:02
11 Absolutely Sweet Marie 4:57
12 4th Time Around 4:35
13 Obviously 5 Believers 3:35
14 Sad Eyed Lady of the Lowlands 11:19[/size]
[size=3]Album credits:
George Marino Mastering
Wayne Moss Musician
Hargus "Pig" Robbins Musician
Henry Strzelecki Musician
Charlie McCoy Harmonica, Musician
Jerry Schatzberg Photography
Jaime Robertson Musician
Steven Berkowitz Reissue Producer, Mixing
Bill Aikens Musician
Michael Brauer Mixing
Kenneth A. Buttrey Musician
Greg Calbi Mastering
Didier C. Deutsch Tape Research
Bob Johnston Producer
Jerry Kennedy Musician
Bob Dylan Guitar, Harmonica, Vocals
Al Kooper Musician
Joe South Musician
All Music Guide Review
If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like "Visions of Johanna," "Just Like a Woman," and "Sad Eyed Lady of the Lowlands." Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ("Rainy Day Women #12 & 35"). It's the culmination of Dylan's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again. [In 2003, Columbia/Legacy reissued 15 selected titles from Dylan's catalog as hybrid SACDs, playable in both regular CD players and Super Audio CD players. Each title is packaged as a digipack, containing the full original artwork. On each of the titles, and on each of the layers, the remastered sound is spectacular, a considerable upgrade from the initial CD pressings. Blonde on Blonde was one of five titles that also included a 5.1 Surround Sound mix.]
~ Stephen Thomas Erlewine, All Music Guide
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