The Boo Radleys - Learning To Walk (1991)
The Boo Radleys - Learning To Walk (1991)
Artist...............: Boo Radleys
Album................: Learning To Walk
Genre................: Shoegaze
Source...............: CD
Year.................: 1991
Formed in Liverpool in 1988, the English guitar pop group the Boo Radleys developed a dedicated cult following in the early '90s before crossing over into the mainstream in the middle of the decade. Originally, the Radleys were one of the lesser lights of the loud, noisy My Bloody Valentine-inspired psychedelic trance pop bands labeled "shoegazers" by the British weekly music press. By the mid-'90s the Boo Radleys had developed into a more straightforward pop band who didn't use noise and extended guitar workouts as a way of fleshing out their songs, instead using it as the basis of their music.
The Boo Radleys originally consisted of guitarist/songwriter Martin Carr, vocalist/guitarist Sice, bassist Timothy Brown, and drummer Steve Hewitt. The band released their first album, Ichabod and I, on a local independent record label in 1990; Hewitt was replaced by Rob Cieka after the release of the record. With the support of influential British disc jockey John Peel, the band signed with Rough Trade Records. The group released the EP Every Heaven in 1991; the record made it into the lower regions of the U.K. charts.
Rough Trade folded shortly after the release of Every Heaven, and the Boo Radleys moved to Creation Records, releasing Everything's Alright Forever in 1992. Everything's Alright Forever was released in the U.S. through Creation's association with Columbia Records, but it didn't gain much attention in America. In England, it received favorable reviews and the group began to build a fan base. Topping several Best-of-the-Year lists, including Melody Maker's, 1993's Giant Steps was a critical success in England and sold respectably. In America, the record launched the minor alternative rock hit "Lazarus" and led to second-stage spot on Lollapalooza '94.
Released in England in the spring of 1995, the more pop-oriented Wake Up! was the band's commercial breakthrough, debuting at number one. The bright, horn-driven single "Wake Up Boo" entered in the Top Ten and stayed on the charts until the early summer, preventing the follow-up single, "Find the Answer Within," from charting higher than the Top 30. Wake Up! was released in America in the fall of 1995 with no promotional push from Columbia, who dropped the band early the following year.
The Boo Radleys returned in the fall of 1996 with C'Mon Kids, a self-consciously loud and arty album designed to shake off the band's newfound pop fans. It worked -- the album debuted in the Top Ten but it soon fell off the charts, despite overwhelmingly positive reviews. Early in 1997, the band finalized an American contract with Mercury, and C'Mon Kids was released in March, a half a year after its initial British release. Kingsize followed in late 1998, though the group officially broke up just months later. Carr went on to form Brave Captain. In 2005 the Boo Radleys issued Find the Way Out, an extensive two-disc retrospective complete with exhuastive liner notes and memories from the band. (Stephen Thomas Erlewine - All Music Guide)
Though it's just a collection of their first three EPs dating back to '90/'91 (plus two unreleased covers), Learning to Walk is actually the best LP released by this great Liverpool band, even better than Giant Steps. The four tracks off '90s Kaleidoscope are a good whiplash start, a sharp upgrade from their sloppy, raspy, first LP Ichabod and I, but this LP really gets going with the four cuts off '91's Every Heaven, an even bigger jump in quality. "The Finest Kiss" is the band's second best track of all time, mixing Sice's pristine pop vocal with a jumpy bassline and stabbing guitars. Likewise, "Tortoiseshell," "Bluebird," and especially the terse "Naomi" are almost as stunning, so overflowing with high-tension-wired guitar and more lovely vocal lines. The last EP, '91's Boo! Up, was their pinnacle: Some 50 playings of "Everybird" have not dulled its brilliant splendor, so hearing it in the midst of this collection is still welcome, and it's dazzling besides. Just the swooping, sloping guitar line that opens the sucker is promising enough, much less that dripping verse and tearfully gorgeous chorus, as fine as anything the Left Banke ever wrote. "You don't know how it feels to be lonely" is a cliché that, in the hands of these folks, can make you break out in hives of empathy and regret for your own past heartbreaks. Learning to Walk sounds like an LP, not a collection, and if we regard it as three sessions in one, it is the Boo Radleys' real second LP, and their masterpiece, even without the terrific 1991 Peel Session versions of Love's "Alone Again Or," and New Order's "True Faith" (retitled "Boo Faith," naturally) tacked on for extra value. With all three EPs out of print, Learning to Walk is even more valuable. Do not miss. (Jack Rabid - The Big Takeover)
Tracklist:
1. Kaleidoscope 5:41
2. How I Feel 3:42
3. Aldous 4:54
4. Swansong 3:13
5. The Finest Kiss 5:16
6. Tortoiseshell 3:03
7. Bluebird 3:05
8. Naomi 5:33
9. Alone Again Or 3:14
10. Everybird 4:21
11. Sometime Soon She Said 2:57
12. Foster's Van 4:14
13. Song For Up! 4:40
14. Boo! Faith 4:40
The Boo Radleys - Everything's Alright Forever (19
The Boo Radleys - Everything's Alright Forever (1992)
Label: Creation Records / Columbia - CK 52912
Year: 1992
Genre: Shoegaze
Happily settled on Creation Records -- their understandable spiritual home, given the My Bloody Valentine connection - on their second album, the Boos create a fine but limited ode to the icons of fuzzpedals, melancholy and hooks. At the time of release, Forever seemed little more than yet another blissout-by-numbers, but looking back on it there's more here than on first blush. Still, Forever is more an anticipatory release, signaling the great leaps forward to come rather than standing on its own. Carr in particular is still clearly enthralled by Kevin Shields' groundbreaking guitar work, with queasy riffs and shadings plentiful throughout. Producer Ed Buller does a solid job in tweaking the then-standard Boo sound, capturing the group's straightforward rock side and its experimental tendencies with inventive, lush arrangements. Check out "Lazy Day," a brief but effective number where Carr's nuclear-strength guitars are interrupted by sudden shifts to vocals and acoustic strumming with a rapid, breathless pace. Sice is the group's secret weapon; his sweet, choirboy vocals add gentleness and serenity to the proceedings, particularly "Does This Hurt?," the album's most memorable number. Based on a fine all-around band performance and Carr's gorgeous feedback shimmers and skyward solos, Sice's heavenly singing provides the perfect hook at the center of it all. Other high points include the opening "Spainard," with a lovely performance heightened by guest trumpet from Kick Horns member Roddy Lorimer. Forever lives up to its title well enough: everything's alright, but not yet truly astounding. (Ned Raggett - All Music Guide)
Tracklist:
1. Spaniard 4:02
2. Towards the Light 1:41
3. Losing It (Song for Abigail) 4:02
4. Memory Babe 3:19
5. Skyscraper 4:46
6. I Feel Nothing 3:06
7. Room at the Top 5:05
8. Does this Hurt 3:56
9. Sparrow 1:51
10. Smile Fades Fast 3:13
11. Firesky 5:05
12. Song for the Morning to Sing 2:30
13. Lazy Day 1:34
14. Paradise 5:51
The Boo Radleys - Giant Steps (1993)
The Boo Radleys - Giant Steps (1993)
Label: Creation Records / Columbia - CK 53794
Year: 1993
Genre: Indie
Titling an album after John Coltrane's masterpiece may well seem the height of pretension, but heck, it never stopped the Replacements from a similar move vis-a-vis the Beatles. As it is, the title is perfectly justified -- Carr, a Coltrane aficionado among many other things, here finally leads his band from the promising to the truly inspired. With the inventive, groundbreaking Lazarus EP as a touchstone (the title track is included here in an unfortunately abbreviated form), the Boos self-produce themselves to new heights. The genius of the Boos definitely lies in their ability to adapt many a different touch and make it their own, taking what are often straightforward, hooky pop songs and turning them into something more, an ability Giant Steps shows in spades. The old fuzz blast is here, but less beholden to the likes of My Bloody Valentine, instead drawing on Carr's wide-ranging tastes (Beach Boys, psych-pop, Human League/New Order-inspired arrangements) to reach different, individual conclusions. From the near free-noise wash of "Run My Way Runway" to the soaring pop blast of "Barney (...and Me)," a poignant, nostalgiac lyric backed by a thrilling overall performance, the band does little wrong. Brown and Cjeka effectively incorporate dub/reggae rhythms, as "Lazarus" itself showed they could do, blending in loping, funky skank to "Upon 7th and Fairchild" and the fantastic "Butterfly McQueen." Carr's guitar work is much more distinctly his own throughout the album, with often volcanic, inspired soloing adding a huge, echoed sound to many of the songs. A number of guest performers help, notably Steve Kitchen on brass; his trumpet and flugelhorn parts and flourishes add jazzy touches throughout, at times reminiscent of Miles Davis' work on Sketches of Spain. (Ned Raggett - All Music Guide)
1. I Hang Suspended 3:58
2. Upon 9Th And Fairchild 4:49
3. Wish I Was Skinny 3:37
4. Leaves And Sand 4:25
5. Butterfly McQueen 3:28
6. Rodney King (Song For Lenny Bruce) 2:46
7. Thinking Of Ways 3:47
8. Barney (... And Me) 4:42
9. Spun Around 2:31
10. If You Want It, Take It 2:46
11. Best Lose The Fear 4:13
12. Take The Time Around 4:07
13. Lazarus 4:38
14. One Is For 1:36
15. Run My Way Runway 2:20
16. I've Lost The Reason 5:18
17. The White Noise Revisited 5:02